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Like most people, I was expecting this Wednesday to be just another run-of-the-mill, bog standard Wednesday: get up, go to work, get cross about Brexit, come home, get cross about Brexit again, go to bed. But, as it turned out, this Wednesday was no run-of-the-mill, bog standard Wednesday at all. This Wednesday was Pierce Brosnan's I Asked For A Coffee And I Got Myself ! Wednesday, a Wednesday

It's been nearly eight years since Joe Cornish's terrific debut Attack The Block, a film that, in 2011, put him in the middle of the Venn diagram of British directors making excellent, modestly-budgeted sci-fi (cf. Duncan Jones, Gareth Edwards) and British directors making impressive first features (cf. Richard Ayoade, Paddy Considine). Cornish has hardly been dozing in that time, but it's

It is with a heavy heart that I must once again draw your attention to another film starring Roger Moore that is, in the words of Charles Dickens, a steaming mountain of cackapoopoo. Why Rog cursed himself with all this guff remains a mystery, although clues can often be found where there's an exotic location, a large paycheque and a minimal amount of effort involved. And so we journey to

To begin at the end: the first of refreshingly offbeat com-dram Thunder Road's end credits reads: "Written, directed and performed by Jim Cummings". Out of context, that "performed" sounds a little ostentatious, maybe even pretentious. But coming after 90 minutes of what is practically a one-man show, it's bang on. Cummings is front and centre in every scene of his first feature, which is based