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Here's an LFF 2017 Euro-friendly special, featuring contributions from Austrian and Italian directors. Make the most of it because once we leave the EU, Michael Haneke films will be banned and we'll have to smuggle them in up our arseholes. Happy End dir. Michael Haneke, France / Austria / Germany, 2017 I don't know about you, but I like my Haneke to be like a trip to the dentist:

I realise I'm in the minority here, but I'm afraid I still don't get Ben Wheatley. I look forward to each of his films, and every one - on paper, at least - seems like it's going to be The One that grabs me and shows me that the emperor is, indeed, fully clothed. But to me, all six of his admirably original features have felt like promising debuts; calling cards that give notice of a developing

THE GIFT I appreciate this looks like your average home invasion thriller, but that's an interesting cast right there, plus Jason Bateman looks like my friend Luke and watching him being terrorised by a psychopath is my idea of fun. Sorry Luke. (7th) THE MAN FROM U.N.C.L.E. Kingsman: The Secret Sevice. Mission: Impossible - Rogue Nation. The Man From U.N.C.L.E.. I'm enjoying all these