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Act I of Stanley Kubrick's career is complete: over the course of three shorts and three features we've seen him grow from pretentious faux-intellectual with a keen eye into an accomplished storyteller with an even keener eye. It hasn't always been easy viewing (I refer you, once again, to The Seafarers), but the upward trajectory in quality has at least formed the kind of narrative arc every

Hallelujah and thank fuck for that you guys, Stanley Kubrick has finally made a great film and we can stop kidding ourselves that everything before now had any artistic merit just because it has his name on it! Seriously, go back to The Seafarers, there is A LOT of analytical stretching going on to justify putting yourself through that. Predictably, it turns out that all The Brick needed to

Hey guys, welcome to another of my hugely original and trailblazing trawls through the career of a little-known filmmaker of whom I unjustifiably claim to have a much deeper and more meaningful understanding than you do! This time round the subject under discussion is a director called Stanley Kubrick, who you won't have heard of, but let me tell you he knows his directing onions. Present him