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Lukewarm on the heels of my all-consuming Alfred Hitchcock project, I spent much of 2016 rewatching (and, in some cases, having my first go on) the films of bearded genius and double-denim advocate Steven Spielberg. The Berg's first official theatrical release, The Sugarland Express, came out the year I was born, so it logically follows that he's been making films specifically for me for my

How do you write a new Jurassic Park movie? Before the series was barely two films old, the formula of this sub-sub-genre was patented, packaged and slapped on a plastic lunchbox: people run away from dinosaurs; C-listers and greedy / stupid characters die in 12A-friendly fashion, topline cast survive. All you can do is add new dinosaurs, new actors for them to chomp on, a new kind of greed /