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The future of the James Bond films hangs in the balance. Sony's distribution deal has ended, so MGM and EoN are currently jiggling Bond in front of a selection of suitors, all of whom are desperate for the rights while simultaneously nervous that Daniel Craig might not stay on board to guarantee boffo box office for the next film. It's a delicate situation, and one which could affect the very

Unless you're blind or have just been ignoring me (understandably), you'll have seen me wanging on about doing a Q&A with five-time James Bond film score composer David Arnold at London's Prince Charles cinema last week. The evening came and went without any major disasters (although I wore a waistcoat in an attempt to smarten myself up and promptly spilled olive oil down it just before the