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Just a week after Ron Howard's self-defeatingly unnecessary Star Wars prequel Solo limped into cinemas, Anthony Horowitz's James Bond continuation novel Forever And A Day - set before the events of Ian Fleming's first 007 book Casino Royale - arrives bearing another origin story for a 20th century pop culture hero. The timing, of course, is coincidental, but the result is identical: a

The future of the James Bond films hangs in the balance. Sony's distribution deal has ended, so MGM and EoN are currently jiggling Bond in front of a selection of suitors, all of whom are desperate for the rights while simultaneously nervous that Daniel Craig might not stay on board to guarantee boffo box office for the next film. It's a delicate situation, and one which could affect the very

James Bond is back, in case you hadn't noticed, and this time his mission is even more impossible than ever: to top Skyfall. Off the back of the most successful, cannily post-modern and downright surprising Bond film ever, Sam Mendes and his crack team of operatives needed to pull something unbelievably amazing out of the Bondbag with Spectre. So does it top Skyfall? Well, no, not quite. Does